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Read and learn for free about the following article: Oldenburg, Lipstick (Ascending) on Caterpillar Tracks. Read and learn for free about the following article: Oldenburg, Lipstick (Ascending) on Caterpillar Tracks. If you're seeing this message, it means we're having trouble loading external resources on our website.

Oldenburg and the architecture students never intended for the original Lipstick (Ascending) on Caterpillar Tracks sculpture to be permanent. They made the base of plywood, and the red vinyl tip of the lipstick could be comically inflated and deflated—although the balloon mechanism didn’t always work.

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Lipstick (Ascending) on Caterpillar Tracks is a weathering steel sculpture by Claes Oldenburg. It is located at Morse College Courtyard, Yale University. History. An architecture student, Stuart Wrede, and a. It had a soft, inflated lipstick section, and wooden treads.Lipstick (Ascending) on Caterpillar Tracks, 1969 One day in 1969, Yale’s Beinecke Plaza was suddenly invaded by a 24-foot-high sculpture featuring a giant lipstick placed on caterpillar tracks. The sculpture was a creation by American artist and sculptor Claes Oldenburg and fellow architecture students.Lipstick ascending on caterpillar tracks analysis essay write essay kashmir problem three day road literary essay essay on a true friend essay my best friend 150 words essays essay on constitutions gifted trouble writing essays edward abramowski anarchism and other essays essay on the vendor of sweet rk narayan essay about love 4 paragraph expository 150 words short essay on global warming.


Initially, the lipstick tip was made of inflatable vinyl, but after being pumped up, it soon deflated and was later replaced by rigid plastic. By March of 1970, the wooden tracks had rotted from exposure and Oldenburg removed the sculpture to the factory in North Haven where it was made.Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object.

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Lipstick (Ascending) on Caterpillar Tracks Samuel F. B. Morse College, Yale University, New Haven, Connecticut Cor-Ten steel, steel, aluminum, cast resin; painted with polyurethane enamel.

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Lipstick (Ascending) on Caterpillar Tracks Dome Repository. Dome.

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Lipstick (Ascending) on Caterpillar Tracks claimed a visible space for the anti-war movement while also poking fun at the solemnity of the plaza. The sculpture served as a stage and backdrop for several subsequent student protests. Claes Oldenburg, Lipstick (Ascending) on Caterpillar Tracks, 1969-74, cor-ten steel, aluminum, cast resin.

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Lipstick ascending on caterpillar tracks analysis essay. Mit pleasure essayUq school of medicine research paper yoga reflection essay thesis appreciating art essay on picasso paul taylor essay the ethics of respect for nature taylor quote about experiencing different cultures essay.

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View Lipstick Ascending on caterpillar tracks by Claes Oldenburg on artnet. Browse upcoming and past auction lots by Claes Oldenburg.

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Claes Oldenburg, Lipstick (Ascending) on Caterpillar Tracks, 1969, reworked 1974. Photo by vige, via Flickr. On May 15, 1969, as students of Yale sat down to their final exams, a monumental sculpture was taking shape in the university’s Beinecke Plaza.

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Claes Oldenburg, Swedish-born American Pop-art sculptor, best known for his giant soft sculptures of everyday objects. Much of Oldenburg’s early life was spent in the United States, Sweden, and Norway, a result of moves his father made as a Swedish consular official. He was educated at Yale.

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